Natasha Marie Llorens' doctoral research is focused on Algerian national cinema and representations of revolutionary violence in the 1960s and 1970s. She writes about North African and Middle Eastern contemporary art and film, feminist politics, philosophies of violence, queer and intersectional politics in art, post-colonial and ethical curatorial practice. She a Ph.D. candidate in modern and contemporary art in the Department of Art History at Columbia University, and a graduate of the Center for Curatorial Studies at Bard College.
